Tumblr Tuesday: Scruff Ryders’ Anthem
Will it beard? Chances are, yes, it will beard.
Imagine a world where facial hair is free from the constraints of labels, where eyebrows are free to live as mustaches. The dream, at last, is real.
Boldly go where no razor has gone before.
Beards with Stories
Behind every beard, a man. Behind every man, a story.
Law and Order: Special Mustache Unit
In the criminal justice system, mustache based offenses are considered especially heinous. In New York City, the dedicated barbers who investigate these vicious felonies are members of an elite squad known as the Special Mustache Unit. These are their photoshops.
Photo by Willit Beard
Is not the beard outside that counts, it’s the beard inside
THE HAWKEYE INITIATIVE
● How did The Hawkeye Initiative get started?
Anonymous asked: I think it’s awesome that you have outed the prevalent sexism in comics and other media. As far as you are aware, has this changed anything in comics?
People have been talking about, discussing and blogging about the prevalence of sexism in comics and other media for a long…
I think these sites do something hilarious, something I’ve tried to do my whole online history, which I think of as ‘mocktivism,’ that is, activism by mockery. You showcase how…
THIS! YES! It’s not the sex, it’s the juvenile attitude toward sex that’s the problem.
- Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
- Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
- Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
- If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
- Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
- If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.